14th March- 18th March
Performed by Tori Scott
Tori Scott’s Thirsty! is a freewheeling hour of cabaret, filled with salacious humour and honestly affecting songs. Scott slings together risqué vignettes taken from her own life with numbers ranging from Judy Garland to Janelle Monae. The result is ribald fun and an authentic New York cabaret atmosphere.
Tori Scott’s comedy is generously self deprecating, and she delivers punchlines with hilarious frankness. Her stories all riff on the theme of “thirst,” whether that be thirst for booze, and the joyfully depraved places that’s led her, or plain old sexual desire. At some point in the performance she refers to the piece as a cautionary tale, but there’s no real narrative connecting the stories, nor does our heroine seem to learn any real lessons from her experiences. Tori Scott doesn’t really want to teach us anything, she just wants to entertain, and on that level she certainly succeeds.
What surprised me was exactly how she goes about doing that. While the humour is bawdy and the comedy sharp, the real joy for me came from the singing, accompanied by Scott’s appropriately named band, The Shame Spirals. Scott is an extremely talented and skillful singer, and the generosity that she brings to her comedy is doubly present in her singing. She sings with both self-assured panache and honest, soul-baring emotion. It caught me off guard: one moment I was hearing a particularly suggestive bit about making eye contact with a public masturbator on the New York subway, and the next I was hearing a surprisingly soulful cover of Hozier’s ‘Take Me To Church.’ Like mixing sweet and salty, the contrast makes both stronger, and the variety brings a zesty flavour to the proceedings.
I did feel that the performance was slightly let down by its venue. Not by the Vault Festival in general (which is a perfect match for Scott, with its neon underground atmosphere and ready access to alcohol) but by the Crescent theatre specifically. The Crescent is a fairly conventional, pros-arch space, about as conventional as one can get in a disused underground tunnel. I’m no expert in cabaret, but to my understanding it’s most often performed in more of a pub or comedy club atmosphere, with audiences sat around tables and, crucially, the ability to get up and order more drinks. The dead-on nature of the proscenium arch and “latecomers will not be admitted” atmosphere all felt a bit too formal, and jarred slightly with the very loose energy of the show. However, I’m nitpicking, as the fun electric vibes of the Vault festival more than make up for the slightly over-formal structure of the Crecent.
If Thirsty! sounds like it would appeal to you, here’s my advice: Show up early. Take a few friends with you. Preferably, some or all of you will be gay men. This is to best enjoy Tori Scott’s many references to gay culture, terminology, and dating apps, but is by no means a requirement. Spend some time at one of the Vault Festival’s many bars, soak in the underground atmosphere, and have at least a couple of drinks. Then, get ready to sit back and enjoy some raunchy, entertaining cabaret.