3 – 21 April, 2018
by Kenneth Emson
Directed by Josh Roche
Heading up the stairs from the pub to see Plastic at the Old Red Lion builds the right kind of excitement. Plastic takes us to a quintessential Essex school football pitch as we follow the lives of three students. Lisa, jack and Ben, as well as Lisa’s older boyfriend, Kev. We open on a football field, reliving the past. This is perfect, as the seating is somewhat bleacher-like and we are all able to take drinks in with us – it already felt like a football match. Kev is scoring in the Essex cup final, before we are introduced to all the characters, hearing their hopes and dreams in Kenneth Emson’s beautifully lyrical writing. In fact, if there is one reason to go and see this play – it is the writing. Lines intersect each other and seamlessly carry the story, using everyday language in an elevated, poetic way. It’s like Shakespeare, only fully accessible.
Director Josh Roche, and Lighting designer Peter Small and Sound designer Kieran Lucas have brilliantly designed and realised this play. This is a play where all the elements in design and visual direction helped bring this story to light. It was as thought through and well-crafted as the writing. The stage was simply pained up with white lines, creating a football pitch. It was only after the play that I noticed that in particularly tense moments, the cast neared the goal. The soundscape served to heighten the mood and parts from one strongly and somehow misplaced piece of classical music, was noticeably effective. The lighting was cool and was used perfectly to segment moments, change days and create atmosphere.
Look, it’s difficult to find any fault with this play. It was sublimely acted. All four actors skilfully handed rhyming verse, making it seem as though they thought in pattern naturally. Madison Clare was a standout as Lisa, skilfully walking the line of innocence and mischievousness. Louis Greatorex was fantastic, pulling all the right heartstrings. His performance was the most nuanced and alive – even when his character was simply watching what was happening on stage. Thomas Coomes served a suitably volatile Ben. His job was the hardest, his character the most outwardly charged and turbulent and he pulled this off solidly. I think he had us all worried with his violent mantra repeated throughout. Mark Weinman gave a fantastic performance as Lisa’s boyfriend. He created a performance that carried the play through it’s narrative. I can’t gush enough about the acting here – it was incredible.
I think I should mention that the themes of this play are bold and daring and horribly close to home. We deal with sex, playground politics and a nobody whose mantra is a list of school shootings. The cast navigates these beautifully. There are laughs in amongst the general electric foreboding. I don’t think anyone left the theatre in the same mood they came in. Thought provoking and tense throughout, I strongly recommend you get a ticket before it closes on the 21st.