Written by Tony Harrison
Directed by Jimmy Walters
Set and Costume Design by Daisy Blower
Lighting Design by Arnim Friess
Music by Jeremy Warmsley
Musical Direction by Adam Gerber
Sound Design by Dinah Mullen
Movement Direction by Depi Gorgogianni
Cast: Eva Feiler, Gracy Goldman, Rujenne Green, Amy Marchant, Philippa Quinn, Letty Thomas
4 September – Saturday, 29 September 2018
Photo by Samuel Taylor
Proud Haddock presents Tony Harrison’s all-female war drama Square Rounds at the Finborough Theatre, re- staged for the first time in 30 years to mark the 100-year anniversary of the First World War.
Proud Haddock’s emphatic work explores the ethical duality of scientific progress and how the best human intentions are behind some of the most horrific atrocities.
The play is a lyrical, lilting, odd work that jumps across time, employing magician stage craft, movement and live songs to deliver a message on repeated folly and hubris.
Daisy Blower’s set draws on the work’s thematic concerns, with a white box outlined on the black floor and multi-purpose white and black boxes with squares movable between scenes. The centrepiece is a large black box that is alternately used as a toilet cubicle, magician’s box, display case, blackboard, gas chamber, and more. A canny piece of design well incorporated into the action and reinvented in use by the cast. War time and historical footage are projected over the set, only registering as subtle movement on the black, visible in its white.
The ensemble cast was energetic and charming, hurtling through the verse, offering a contrast between the earnestness of the characters with their historical tragedy. While this dramatic irony was successfully fulfilled, I found myself wanting a more detailed irony and humour grounded in the language and characterisation: some of the ideas might have been more expressly served if tied to human motivation or relationships, as exemplified in the stand-out, rousing performances of Gracy Goldman and Philippa Quinn arguing as German-Jewish chemists and spouses Fritz Haber and Clara Immerwahr, Quinn as Haber defending her invention of chlorine gas. The actors as a whole did artful, attentive work within the production.
This re-staging of Square Rounds felt intellectually relevant, but because of this detached, historical quality did not offer a deeper connection with our present time or an understanding of its related but unique set of concerns.