Created by Helen Chadwick
Directed by Stephen Hoggett
Performed by Victoria Couper, Krystian Godlewski, Liz Kettle, Helen Chadwick
Presented by Helen Chadwick Song Theatre and November Productions
Co-commissioned by Birmingham Repertory Theatre
Touring the UK until March 2019
Truth is a devised musical performance. Four performers deliver an exquisite hour-length choral performance of intricate and ever-shifting melody. The ensemble is reminiscent of a Greek chorus that gather to share the ‘testimonials’ collected by researcher and creator Helen Chadwick. It’s a little bit like an evening of short stories. Each scene unfolds a little world where a character shares their experience of deceit, dishonesty or delusion.
The stories are told through a creative combination of melody, lyric and gesture. Occasionally the highly-choreographed movement and inclusion of lights as props compete with the narrative at hand, but for the most part, it’s an absorbing and affective spectacle.
Unfortunately, while the nuance given to the technical execution of the production is impeccable, this highly conceptual show fails to deliver a coherent message.
“Truth” is a challenging topic, and the impulse to explore a big idea through the microcosm of personal stories makes sense at first glance, but the attempt to tie a collection of disparate human stories together with the common thread of ‘deceit’ is a tenuous strategy.
I felt particularly uneasy about the conflation of highly contextual human experiences, several of which involved trauma, being bundled into the same framework. For instance, an account from a victim of sexual abuse, a petty disagreement over a recipe between a couple, a worker lying on their resume and an individual experiencing gender dysphoria are all described by the chorus as ‘lying to oneself.’
Generalisations about the truth itself also felt problematic. A recurrent lyric was “never be afraid to raise your voice for truth”, delivering the sweeping conclusion that the truth (whatever that topic may be) should always be voiced regardless of the context of the situation.
Do we not lie for the ones we love? To protect ourselves? Because we have no other choice? The truth is not always beautiful, safe to tell, nor does confronting it necessarily set one free. Truth tells stories that demonstrate all these complexities, but the intricacies become lost and the core message incoherent.
I was left feeling unsure as to whether the ensemble was aware that the truth is so simple it can be reduced to platitudes, or whether they hoped to convey that it is so complex and highly contextual that we can’t pin it down. For what it’s worth, I think it is the latter.