9th – 20th October 2018
Presented by Tom Adams and Lillian Henley
Elephant and Castle is a haunting, experimental piece of gig-theatre presented by husband and wife Tom Adams and Lillian Henley exploring the science and romantic impact of Adam’s parasomnia – sleep talking/walking.
A mattress propped up at the back of the stage begins to shake before creeping forward towards the audience – we hear a recording of someone whimpering, crying out layered with sounds of electrocution. It’s unsettling, to say the least. But then the mattress flips down and Henley and Adams bounce onto the bed in match-clash paisley pyjamas, find us with their eyes, and begin to sing their story, regaling us with when they first met and their later struggles with Adam’s parasomnia.
Henley’s hauntingly beautiful voice heightens the domestic tragedy of the songs, indicative of the show’s off-beat, quirky humour. This is a show that is not afraid to sit in its authored awkwardness. Elephant and Castle is equally generous and odd – cocooned by a Lynchian atmosphere. Recordings made over 3 years sample the strangeness of Adam’s night time ramblings, and are played in the darkness between transitions.
Henley plays her own long-sufferance to the cheek of Adam’s parasomnia – luminous, still, her voice transcendent, both eerie and beautiful. Adam’s mischief offers an appealing counterpoint, and they have a distinct chemistry that makes the spirit of this work unique. It delves into some darker territory, questioning what parasomnia can reveal, the threat it offers, never losing its idiosyncratic charm.
I especially enjoyed the use of a hand-held projector, projecting what looked like go-pro sleepwalk footage onto the back of the again upturned bed. It was immersive, lulling me into the logic of a dream-like state. The show’s composition and design converged in a fully realised atmosphere. As I sat, trying to grasp at shapes in the figurative footage, slipping out of definition, I happily gave myself over to its flow.