Writer: Rebecca Mordan
Director: Sharon Andrew
Performers: Rebecca Mordan and Sharon Andrew (Scary Little Girls)
30 October – 3 November
Scary Little Girls stars Rebecca Mordan and Sharon Andrew present The Full Bronte, a comedic cabaret homage to the Brontë sisters (and mother). The setting of The Space Theatre, located in a converted Victorian church in the Isle of Dogs, and the timing of its run there, over the All-Hallows season and into the first wintry days of November, came together in perfect confluence to provide a fitting atmosphere for this show. The theatre space and attached bar were welcoming, as was the audience (mainly middle-aged women), and the eighty minutes passed in a riot of giggles and raised eyebrows.
Cabaret diva Maria (Mordan) and her put-upon Cornish intern Brannie (Andrew) inhabit the stage with such comfortable, familiar, pitch-perfect harmony, that the show never misses a beat or loses its rhythm, despite the chaotic and at times disjointed nature of its content. The show slides between musical theatre, slapstick buffoonery, pantomime, hip-hop, literary lecture, interpretive dance, dramatic readings, gameshow farce, and pure comedic squabbling, with audience interaction woven throughout. There is even a moment when the comedy is temporarily stripped back, and Maria performs an exquisite piece of poetry set to song, accompanied by a ukulele of all things. This breath of genuine beauty amongst all the silliness caught me pleasantly off-guard, and it felt like the character of self-absorbed diva Maria briefly fell away, revealing Mordan with her very real vocal talents and love of literature. Then the song ended, the spell was broken, Maria was back with her melodrama, and The Full Bronte lurched ahead at full comical speed.
In the Q&A following Thursday night’s performance, Mordan and Andrew mentioned that some critics pooh-pooh the show (which has been touring for seven years now!) because of its lack of literary gravitas. To those critics, I could only ask: well, what did you expect?? Who wanders into what is clearly an over-the-top comedic cabaret expecting a TED Talk on the literary greats? Even my friend, whom I dragged along at the last minute, who had never read anything by the Brontës, and who darkly threatened me on entry that “there had better not be any audience participation in this, Sophia” had an absolute ball. (And, yes, he did end up being the one singled out to undergo the longest and most mortifying piece of audience participation in the show… Sorry and thanks Andy, I’m sure she didn’t mean to use that much tongue!)
The Full Bronte is not breaking any particularly new grounds in comedic cabaret theatre: the characters and their relationship are tropey, the music is largely by-the-numbers, and most every element of the show is fairly predictable (yes, there is an excellent Kate Bush impression, and yes, some comedic cross-dressing, and of course, some wink-wink sex jokes). However, seeing comedy confidently performed by two experienced, magnetic woman artists is always a breath of fresh air, and when the subject matter is a celebration of other woman artists, that becomes an even rarer joy. Tonight is the last night of Scary Little Girls’ run at The Space, but they will continue touring afterwards, and I would highly recommend the show to anyone who enjoys cabaret and/or the Brontës.
Reader, I loved it!