REVIEW! BIRTH @ Pleasance Courtyard , Edinburgh Fringe

Conceived & Directed by Guillaume Pigé
Devised by The Company
Performed at Edinburgh Fringe until 25th August

In the busy queue amongst the Edinburgh Fringe goers the excitement for Theatre Re’s BIRTH was high, and rightly so! As this was one of the most beautiful pieces of theatre I have ever seen.

Theatre Re, known for their international success Nature of Forgetting (which I was lucky enough to see last year), has not let the bar drop with this new production BIRTH. Guillaume Pigé has directed another wonderfully human and tremendously moving performance, this time exploring the sensitive subject of child loss and foundations of family.

BIRTH

The black box theatre was minimalist; with a dimly lit dining table centre stage. As soon as the performance started the mesmerising music, composed and performed live by Alex Judd, gently guided us into the world of physical storytelling and I was completely immersed within seconds.

Ultimately, it was the continual flow of the performance which I found most impressive – the energy never dropped. Not even during transitions, which can sometimes be a productions biggest flaw, however Theatre Re found an aesthetically creative and efficient way to slip into the next scene; by flowing a giant sheet over the whole stage as characters appeared and disappeared almost like a beautiful magic trick.

BIRTH 2

The story follows three generations of women in one family; non-chronologically showing each of their lives and how their experiences intertwine with each other. One of the highlights of the piece being when Emily, played by the extremely talented Eygló Belafonte, gives birth. Instead of the generic panting and pushing, Theatre Re have found an amusing and artistic way of portraying this with a detailed dance between the husband and wife, and ending with a marathon sprint with cheers of encouragement from the whole family, this may sound simple but it was so unbelievably effective.

Throughout the performance I heavily reflected on my childhood, my family, and my sisters, and was certainly not the only one with tears in my eyes. It is safe to say that Pigé has created such a memorable and dynamic piece of work, which should be performed all over the world. The company have an astounding ability to devise such original and heart felt moments, I congratulate them on their much deserved success.

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