Written by Rebecca Saffir
Directed by Jenny Horsthuis
Assistant directed by Sam Moody
Produced by Ellika Heribertson and Holly Salewski
Baby is a current, comic and poignant new play written by and starring Rebecca Saffir, and directed by Jenny Horsthuis. Focusing on love, in almost every sense, and the realisation of what it means to become an adult, this impressive premiere production took place at the Bread and Roses Theatre as part of Clapham Fringe.
Baby brings a difficult, and sometimes heartbreaking, slice of life to our attention. The protagonist; a young woman Vee, played by Rebecca Saffir, is suffocated by her home city travels to London to her lively friend Tash, played by Harriet Leitch. The raw, emotional and comical reunion ends in a spontaneous night of dance, drugs, and a funny yet conceivable one night stand with an overly confident male character Elliot, played by Lewis Page. This swift yet clear introduction of Vee’s life is then followed by a tough decision which, she believes, will not only affect Vee’s life but hundreds of others – all depending on the gender. Resulting in Vee having 4am bursts of doubt and struggling between the ethical logistics of what is right and what she truly believes to be only choice. The story line was captivating, yet the second half was slightly fragmentary in comparison to the depth at the beginning. Nonetheless, this first performance of the show was superbly executed and fully understood by the audience.
Saffir’s deft writing keeps the energy charged through out and continuously builds on the relationships between characters. It was refreshing to see brilliant new writing directed and performed to its potential. The cast were dynamic and engaging in their performance, and certainly brought life to the intimate black box theatre. Harriet Leitch, as Vee’s ardent best friend, nailed comical moments with her zealous expressions and her perfect timing. All the actors, under Jenny Horsthuis’ direction, make good use of the space and you immediately accept the minimalist design. With no set or costume changes, the piece relies on the entrances of characters and the occasional apt dance music to transport us, which works reasonably well in the compact Bread and Roses theatre, however some costume changes may work in favour of the plot, especially if performed on a larger scale.
Royal Court alumnus and creator of Baby, Saffir says, “The seed for this play was planted when I noticed how often I thought to myself, ‘Men are trash. ’ I became interested in following and exploring what might happen when you follow that thought to its most extreme conclusion. I wrote Baby to discover what happens to those of us who have read their theory and know their facts, and then have to bring those beliefs to bear on the real world.”
A play of contemporary relevance, talented actors, and emotionally striking text, Baby certainly has a bright future after this exciting premiere.
Previous review: BIRTH @ Pleasance Courtyard , Edinburgh Fringe