Produced by Exit Productions, with help from Nadezhda Zhelyazkova at Full Sail Productions
Directors: Joe Ball & Chris Neels
Fight choreography: Jonathan Holby
Cast: Ben Lydon, Brendan O’Rourke, Edward Linard, Hannah Samuels, Jessica Jeffries, Pete Grimwood & Simon Pothecary
30th January – 17th February 2019
Not everyone is a fan of boxing – the sweet science is not as sportsmanlike as some other popular sports, not as theatrical as some of the other martial arts.
I love boxing – I think it’s like extremely literal chess – but I understand the criticisms levelled against it. Many fighters are injured, some in life altering ways, there’s a lot of corruption, a lot of unsavoury personalities. I find it beautiful because, not in spite, of these flaws – and they’re all on display in this ninety minute show.
Exit Productions have made an ambitious, immersive show that takes you through all the stages of the eponymous night – we see the weigh in, go into the locker rooms, hear the pep talks, cruise the merch table, chat to the bookies and officials – and our contributions impact the outcome of the fight, which is thrilling and beautifully staged.
Dev J. Danzig’s set design uses the curious, stony space of the Vaults well – from the luxurious ringside VIP section to the dodgy blackjack table to the cramped lockers, the place feels authentically like an underground boxing show. The cast immediately establish themselves as clear, distinctive characters, all with motivations, secrets and means.
The whole audience can get as involved as they like – some people are picked to have specific roles, such as medical assistant or valet, but we all get stacks of chips with which to bet, bribe or purchase merchandise. The actors were engaged and engaging – I spent a lot of time with a slimy promoter, an indebted doctor and an impassioned trainer, who each gave me information and opportunities to alter the outcome of the fight. We discussed head injuries, performance enhancing drugs, female boxers and risking your life for the chance of a pay off. As a judge, chosen on the basis of literally nothing, I then got to sit down and call the outcome of each round – though I and the other judges had been bribed to ensure a certain outcome.
Every audience member might have a particular favourite fighter they want to win – both the insecure loud mouth show-boater Joe Williams and the polite professional with a temper Bam Bam Bradshaw were very likable, though they hated each other. What makes the show so fascinating it that it’s impossible to tell who will be victorious until the final bell. And what does it mean to be victorious? Is it better to take a second round fall, survive to live another day or to fight through the pain and likely concussion? No two punters will have the same experience and no two performances will be the same. In that way, it is exactly like a boxing match.
Like real boxing, I loved it, but I know it may not be for everyone. If you prefer a theatre experience that lets you sit down and not make any choices, Exit Productions probably isn’t for you. If you like to get involved and do some exploring, if you enjoy some uncertainty and anticipation, this is the perfect show.
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