REVIEW! Knot by Nikki & JD @ The Edinburgh Fringe Festival

Directed by Jean-Daniel Broussé, Nikki Rummer, and Rosamond Martin
Produced by Jacksons Lane 

Presented at the Assembly Roxy (Upstairs)
31st July – 25th August

Knot is a show about relationships. It is about relationships of all kind, romantic, platonic, professional, about the blurred lines between them and the lies we tell ourselves and each other in the pursuit and preservation of them, or in the creation of an interesting and credible piece of Fringe dance theatre.

The show is an excellent example of dance, acrobatics and circus skills by its two compelling performers, American Nikki Rummer and Frenchman JD Broussé. We are introduced to our two characters, playing heightened versions of themselves, as we find out how they met and began their relationship. But everything is not as it seems between our partners, as is explored over the subsequent hour of intense dance segments interspersed with minimalistic but effective monologues and duologues.

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Photo by David White

Particularly charming and enjoyable are the stylised, choreographed “fight” scenes between Nikki and JD, as they revert to child-like physicality, with all the pettiness and vindictiveness that youth can bring.

There is very little to this production from a technical standpoint. The stage is an entirely unadorned black box, there is nothing in the way of set or props (excepting the microphones the performers both use intermittently), they wear the simplest, most practical clothing (tight, acrobats’ garb in neutral colours), and the music is effective but unobtrusive, leaving nothing to distract the audience from the phenomenal acrobatic abilities of the performers. Were JD and Nikki less exceptional performers, the simplicity of the show that is built around them would be a detriment, but as it stands it places the focus exclusively where it should be.

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Photo by Laurent Cahu

This is unapologetically a piece of physical theatre, centring the bodies of its performers and the extraordinary things they can do with them. The narrative framing and snippets of acting accentuate and amplify the physical performances, and the emotion and nuance Nikki and JD are able to infuse into their dance and acrobatics all feeds back into the spoken segment. On their own, neither the physical performance nor the dialogue would make for a particularly engrossing show, but in combination they create an experience that is greater than the sum of its parts. Knot is not the most mind-blowing circus show you will see this Fringe, and it is not trying to be; but it is physically impressive, entertaining, and quietly subversive in its honesty.

This show may not, however, be the best introduction to physical theatre for the uninitiated. Its stark and minimalistic style does not give a viewer uncertain of their level of interest in the form a lot to hang onto. But for audiences with an established interest in acrobatics, dance, circus or physical theatre, Knot is a clean, crisp delight, an excellent palate cleanser between the often ostentatious and over-the-top norm of the Edinburgh Fringe.

Tickets

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Previous review: Four Woke Baes by Jonathan Caren @ The Edinburgh Fringe Festival

REVIEW! GEORGE @ Camden People’s Theatre

Presented by Contingency Theatre
Camden People’s Theatre
Part of Sprint Festival
12 March

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GEORGE is happy at home, in his village, but when an opportunity comes up to meet the wealthy and powerful J in the big city, how can he refuse? He doesn’t want to get left behind, does he?

This creepy and kinetic piece is about losing ourselves to the rat race – not the most original sentiment, but still relevant, and presented in such an original and exciting way. Contingency Theatre have, in their first full-length show, combined scathing social satire and original choreography to make a show like no other I’ve ever seen.

Barbara Blanka is exceptional as GEORGE – active, engaging and emotional through his struggle with how to fit in and retain a sense of self. Max Percy and Igor Smith, along with no costume changes and almost no props, become a range of people and places, pushing or pulling GEORGE into his new role. They are, by turns, vulnerable, intimidating, jocular or inane. There is scripted dialogue, but more interesting is the physical theatre, which is stunning and well executed.

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The live music and lighting design support the performances, bringing the audience into GEORGE’s increasingly claustrophobic world.

This show is about being a young person in a time that might not be now, but may as well be. We’re in a precarious place, economically and environmentally, and we’re in a constant state of panic. GEORGE brings this to life in a fun and funny way. Contingency Theatre is going to be one to watch out for – because if their first show is this strong, I look forward to their future developments.

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Previous review: Church of the Sturdy Virgin @ Vault