Director and Lighting Design: Sophie NL Besse
Assistant Director: Gareth Watkins
Music and Songs: Tamara Astor
Movement director: Peter Pearson
Running Dates: 22nd January – 16th February 2019
Welcome to the UK is a carnival comedy with a heart of gold. Created and performed by PSYCHEdelight – a company dedicated to giving asylum seekers a voice – whom are well known for their successful 2016 satire comedy Borderline. Welcome to the UK is the next chapter after Borderline, with a cast from 13 different countries all sharing moments of their personal journey through epic theatre techniques.
The fun circus style and patriotic set design of union jack coloured bunting and flags gave us a warm welcome as we entered the space. Opening with burst from the energetic compère, played by Reuben Williams, we are immediately asked to think of a dream and blow it into the balloon left on our seats. After direction we all threw our airy dreams (pardon the pun) onto the stage… only to realise the balloons were for the rifle range at this warped carnival and it was perhaps not going to be all fun and games after all.
The next 70 minutes was a whirlwind of fun fair activities masking the challenges refugees face when trying to claim asylum and build a future in the UK; menacing pigs in the haunted house portraying the fear in an arranged marriage, a home office interview displayed as a series of ridiculous questions from a mystical gypsy, a refugee’s struggle to meet tight deadlines reworked as a UV video game. Each scene was imaginative and comedy fuelled, however the show lacked slick transitions and the energy on stage regularly fluctuated.
Aesthetically the piece was very strong; the diverse ensemble using physical storytelling (such as a literal emotional roller-coaster, which certainly made me giggle), the bright (and sometimes sparkling) costumes, and most of all the intricate lighting design which was effectively utilised to change the atmosphere throughout.
The hostile environment created for the asylum seekers was a reflection of the UK’s decisions and policies, and this was clearly conveyed. There is no denying the importance of the show and the extremely current issues surrounding the topic. Watching the talented asylum seekers perform with such enthusiasm (particularly Mohand Hasb Alrsol Badr, who made me chuckle constantly) and listening to their experiences in a way that we can all learn and laugh was brilliant.
PSYCHEdelight has again produced a platform for expression, and whilst making us giggle they provoke us to think, to consider, to empathise. During this wacky performance there was one particularly powerful and unsettling image; Abdulrahman Salama (a Syrian refugee) sat alone on the top of a ladder throughout with a single orange balloon, holding his phone and waiting in distress for news of his family. A constant reminder of the harsh reality between the laughs.
Previous review: Outlying Islands, Atticist @ King’s Head Pub Theatre