1st – 27th August 2018
Director: Madelaine Moore
Writer: Madeline Gould
Designer: Baska Wesolowska
Lighting Design: Jennifer Rose
HER: Hannah McClean
Ladykiller is a darkly humorous examination of the social expectations of female serial killers, and more broadly, instructive of how to find advantage within a system geared to disempower you, to take it down from the inside.
Upon entering Bunker One we find a woman, dead, face down on the floor with blood spreading beneath her. Hannah McClean enters as the character HER in a French maid’s uniform, her apron and hands wet with blood. She begins a defence of the murder, telling the story of how the now dead hotel guest attacked her and how she had no choice but to protect herself.
Ladykiller challenges the idea of victim-hood in a post me-too world. It explores the intersection of both being a woman and working in minimum wage as abused roles, but the power/access that can come out of that. It further critiques how successful this position of being underestimated can be, offering an unresolved question about the relationship between trauma, cycles of violence and whether harsher consequence should be the way to change behaviour. It spun together familiar ideas and made them feel fresh, its comments novel. The image of HER standing over another woman’s body a potent image at the centre of the work.
Ladykiller is entertaining, funny, engaging, and an effective allegory for challenging gender roles in contemporary society. The writing is relevant and well executed. Hannah McClean has perfect comic timing, adeptly handling the pacing of the show’s meandering associations, expertly inhabiting the stage with her impressive pretence, stick-shifting our expectations like she’s driving at the Formula One.
Bunker One, Pleasance Courtyard, 60 Pleasance, EH8 9TJ